Showing posts with label archaeology. Show all posts
Showing posts with label archaeology. Show all posts

12 November 2018

Supporting the National Museum, Rio de Janeiro


You will all have heard of the fire that gutted the National Museum in Rio de Janeiro.  Following discussions amongst interested parties as to what could be done to help, the RAI convened a roundtable meeting to discuss possible support.

Attendees came from universities, national and university museums, RBG Kew, British Council, National Archives, AHRC and Canning House.  MEG was invited as a representative of the museum sector.

Professor João Pacheco de Oliveira of the National Museum, Rio de Janeiro, addressed the meeting, with simultaneous translation for the non-Portuguese-speaking delegates.  He spoke very movingly of the huge loss that people feel – not just the staff and academics who worked, collected and carried out their research there, but also many ordinary people for whom the 200 year old museum represents the national identity of Brazil.

Staff have not yet been allowed into the building to assess the damage, so actual losses are unknown.  Some material may have survived underneath the collapsing building, or it may be that everything was destroyed.  The building itself is unsafe, and police have closed the remains as a possible crime scene.

The fire has meant a huge cultural loss: the anthropology collections, being in large part organic materials, are assumed lost, especially the material from indigenous Brazilian communities.

The archives are also assumed lost: there was no support for digitisation, so digital copies only exist where researchers had made their own for their own work – therefore it is random selections and perhaps not good quality. 

The fire is creating opportunities.  Indigenous communities have already offered to make new objects for the museum – they see the museum as important for their cultures and histories.  Much of the lost collections had no or little data, so this is an opportunity to collect data as well as objects, working in close and respectful collaboration with indigenous communities.  But, some of the lost material represented a meeting of cultures, indigenous and colonial, 200 years ago, and that cannot be replaced. Indigenous communities are not fossilised, they are changing over time, so the material culture changes.  The professor gave the example of feather cloaks: the 16th century cloaks in the collection were made with red feathers.  That red bird is now extinct, and 21st century cloaks are made with raven feathers.

It was agreed that the lead should come from the Museum: they are not in a position yet to accept help or new accessions.  Once they can access the building, the need will be for forensic archaeologists to excavate the ruins and salvage what can be saved.  Staff will then know better what has been lost, and can start to plan the rebuilding of the museum.

It may be that part of that rebuilding is digital: research from academics who used the collection in the past, photos from visitors of the displays, images of objects in other museums, oral histories from staff, researchers and visitors.  Then there may be a point where the museum asks for loans or transfers from other collections, but that point is a long way off yet.

I suggested that MEG could help with organising digital images from non-national and non-university museums, using data from the various surveys and our professional network to find material in the UK.  MEG members had responded to the request for ideas with suggestions for oral histories and testimonies, crowdsourcing of digital images used to curate online galleries, restore collective memory and create education resources.

As there is more news we will pass it on.

Sue Gies (MEG Chair)

29 September 2018

Jobs Santo Domingo Centre of Excellence for Latin American Research

The British Museum is looking to recruit two Project Curators  to work as part of the Santo Domingo Centre of Excellence for Latin American Research in support of the British Museum Research Strategy.

 The more senior role will involve co-ordinating and leading research within the Santo Domingo Centre of Excellence for Latin American Research . They require an experienced researcher in anthropology and/or archaeology of Latin America to  work with the Centre Director to devise research strategies and establish priorities for the Centre and guide research fellows towards achieving these goals.           

The second  role is to develop, implement and deliver on the project’s plans and outputs. The postholder will help build and manage the programme of Visiting Research Fellows, collection specialists, Centre events and outputs.  They will be responsible for the day-to-day running of the Centre’s programmes and activities.

14 December 2016

Exhibition: South Africa – Art of a Nation

‘South Africa – Art of a Nation’ runs until 26 February 2017 at the British Museum. It is an exhibition that took more than two years to develop and involved partnerships with 12 institutions in South Africa and 20 contemporary artists. Chris Spring took 9 MEG members round on a curator’s tour on Thursday 8 December. We began in the Great Court standing beside the BMW car painted by the artist Esther Mahlangu in 1991. She was invited to paint BMW’s 12th art car to celebrate the end of apartheid, and BMW paid for its transport to the exhibition. Esther herself came over to see her work on show, and appears in one of the films of visiting artists made by the British Museum. Another short film shows the car being installed. 


The exhibition home-page has film of artist Lionel Davies with his piece that includes a street map of District 6, and a self-portrait. Mary Sibande’s film interview is also here, describing her ‘Reversed Retrogress’ work in which two women face each other, one representing her grandmother, and another in purple, herself. Purple was the colour of the dye that the apartheid police laced their water cannon with, which was later turned against them. 




















The earliest item in the exhibition is a found pebble from Makapansgat with three circular indentations – two eyes and a mouth – collected 3 million years ago.  The exhibition contrasts ancient and new art in really interesting juxtapositions throughout. We loved it…

Thank you to Chris for taking the time to show us round.

7 November 2016

New MA in Museums, Heritage and Material Culture Studies launched


An exciting new Masters programme has been launched at SOAS. This is an innovative interdisciplinary degree, convened and taught jointly in the Department of Anthropology and School of Arts. It brings together anthropological, art historical and archaeological perspectives to explore the interconnecting fields of museums, heritage and material culture studies. The MA disprivileges Western museum and heritage discourses and practices, and explores tangible and intangible cultural heritage as spheres of global interaction.
The programme, which is being led by Professor Paul Basu (Anthropology) and Dr Louise Tythacott (History of Art & Archaeology), will equip students with a theoretically-informed critical understanding of museums, heritage and material/visual culture, and provides an opportunity for students to engage in current debates in World Art and World Heritage. Students will be introduced to a wide range of thematic and theoretical issues, and will have the opportunity to curate a small exhibition in the Curating Cultures module, and put into practice anthropological research techniques in the Ethnographic Research Methods course.
Situated in London’s ‘Museum Mile’, a few hundred meters from the British Museum, and with its own Brunei Gallery, SOAS provides a unique environment in which to study the cultural heritage of Asia, Africa and the Middle East, and to place this heritage within transnational/transcultural contexts.


The MA is available as a 1-year full time, or 2-year part-time, programme. Applications are now being invited for entry from September 2017. Full details about the programme are available on the SOAS website. Enquiries should be directed to Paul Basu or Louise Tythacott 

9 November 2015

MA Study in the Arts of Africa, Oceania and the Americas


The Sainsbury Research Unit for the Arts of Africa,Oceania and the Americas (SRU) is offering four scholarships for students enrolled in our distinctive MA course (2016/17). Study is highly flexible, can be tailored to students interests, and combines art-historical, anthropological and archaeological approaches, as well as study visits to UK and European museums. Candidates interested in careers in museum curatorship are especially welcome to apply. 

Enquiries: Lisa Farrington