What do world art curators do in lockdown?

Rachel's desk (and coworker) while working from home.

A guest blog from Rachel Heminway Hurst, Curator of World Art, Royal Pavilion & Museums, Brighton & Hove and MEG events officer.  Rachel tells us what she's been up to in lockdown, if you'd like to let us know about your lockdown experience then get in touch!

Towards the end of March I was gearing up for spring conferences, research visits, holiday activities,busy juggling multiple project commitments, with core collections work responsibilities that are on-going and seemingly never ending at times, and will no doubt feel a familiar scenario for most museum staff! When all of a sudden we went into lockdown. I left my office as usual on Monday 16th March thinking I would be back there the next day and haven’t set foot in my office, the museum or the stores since. It still felt like winter then, and now we are enjoying full summer weather and have just passed the longest day of the year. 

 

Before the lockdown, I was feeling quite overwhelmed by the number of commitments ahead of me, when all of a sudden everything just ground to a halt. One by one events were cancelled, researchers and project partners stopped emailing, our museum postponed moving to Trust on April 1^st 2020, and all the competing deadlines just melted away and everything was ‘postponed’, and not just work, it felt like life had been postponed. 

Like many people in the UK, I developed a mild case of the corona virus during the first week of lockdown, and spent 6 weeks on a bit of a rollercoaster of good and not so good days. My head was foggy during this time and I could only concentrate on one thing at a time and gave up trying to multitask and carry on working as normal. I decided that this was an opportunity to focus on just one task, and finish something I had been working on without much success since 2016. 

I usually work from home one day a week and keep a lot of digital work files on my home computer, and I also have a freelance colleague and project curator, Kathleen Lawther, who is tech savvy unlike myself! So we set about completing a web resource that we have only had the time to work on in a piecemeal way up to now. The lockdown allowed me to focus clearly on one project and one goal, and this felt really liberating.

Myself and Helen Mears, Keeper of World Art have been working on the Fashioning Africa Project since 2015, we have been collecting garments, textiles and art that reflect fashion and style in post 1960s Africa and Africa UK diaspora, this work had been guided by an external Collecting Panel. It turned into a huge but extremely rewarding project, including working with numerous partners and donors, hosting many events and papers given at conferences, some objects from the new collection have featured in displays at Brighton Museum, and some objects will be going on loan. But creating our web resource has at last given us a platform on which to share the new collection and most importantly the stories that accompany these objects.

Working with the Collecting Panel meant we were guided by people who are specialists in African Fashion both through personal experience and through academic training. Their input enabled us to source objects that reflected the personal styles and stories of individuals as well as designers and specific communities. Our focus was on building a collection where individuals voices and stories were told, and we collected photographs of donors wearing their outfits, testimonies, quotes, pamphlets and pieces of creative writing that all accompanied the outfits. As well as film footage and oral histories.

We have collected over 400 objects and although we haven’t yet finished professionally photographing them all or processing all of the accompanying media, creating the web resource has enabled us to provide access to a large number of them with their accompanying stories. If it were not for being in lockdown and being able to work on this in a sustained way and daily over the last few months, creating this resource would not have been possible, and this would have been a missed opportunity. I also feel as if I would be letting people down, people trusted us and offered their objects and stories and wanted to share these. When finishing an interview with Ewe kente weavers and twins Fred and Richmond Akpo in Ghana, I asked if there was anything else they wanted to tell us or share and they said ‘We just want people to know we are here and what we do’. 

This work has also afforded me the time to make contact with donors and partners to check information with them, and through this contact, a chance to check in and catch up with one another. So yes other things haven’t got done, which is hugely frustrating - we don’t have collections database access at home and haven’t been able to access the stores or facilitate events and the uncertainty over budgets and resources means other projects are delayed. But I feel that I have really benefitted from this period of time to take stock, to focus on this important work, gather everything together and process it, and get something finished, and I am really pleased to be able to share the results. The question is now, when things begin to pick up and gather momentum, how do I sustain this focus and clarity? I do know that I will make a concerted effort to try and plan in blocks of time to enable this type of important work to happen.  

Take a look at the web resource.

Rachel Heminway Hurst, Curator of World Art, Royal Pavilion & Museums, Brighton & Hove.

Statement from the MEG Committee to the membership in the light of COVID19

We hope you are all well in these strange times, and managing the difficulties and
distractions of working from home, or of being furloughed. We are aware that members who
have been furloughed may not be able to access work e-mails if that is the address we have,
so communication is difficult unless people check the website.

MEG is still working. You should have heard (as if you hadn’t guessed) that this year’s
conference at Liverpool is cancelled. We are planning to publish the papers that would have
been given as JME 34, for distribution next year. We are looking at plans for the 2021
Conference and will share them as soon as we can. We are assuming that by May next
year it will be possible to hold the conference. We hope so, as the conference is the main
networking opportunity for members to meet and share ideas.

The AGM has to be held, so that will be held by Zoom on 29 May. You will receive an
invitation to attend soon, with the papers you need. Please sign up via Eventbrite as this will
allow us to know how many people plan to attend and to send you the zoom link you will
need. We need to be quorate so it would be good to see as many members as possible.
JME 33, from the Horniman conference, is in process, but posting will be difficult without
access to the envelope stock, locked in Bristol Museum & Art Gallery. The plan is to send a
pdf to all members, so you can read the papers in lockdown, and the physical journal will be
posted as soon as possible once life opens up again.

Emma Martin has been working on collating all repatriation information into a Padlet,
something similar to Trello and other planning tools. This will be accessible via the MEG
website soon, as a resource for all to use in planning for repatriations, or starting discussions
about repatriations, or just wanting to know what has happened around the world and where
sources of information and contacts are. It is an important piece of work, thank you Emma
and all the people who sent in material to go on it. If you have papers from requests or
returns that are not yet on there, we would like to add them to the Padlet. We are looking at
managing access to sensitive papers. We hope that this will become the place for advice
and information, and MEG can offer advice on individual cases.

We had planned to run a skills sharing event on writing ‘Reparation and Restitutions
statements for your museum’ at the National Maritime Museum, Greenwich in the Autumn,
we would now like to offer this as a virtual event instead, more details on this event will be
announced soon,

The ability to pull this material together and offer support to museums relies on specialist
staff in post. The loss of World Cultures curators over the last few years is concerning, and
once museums reopen and stabilise we hope to carry out a survey of specialist posts, to
map where the specialist knowledge is, where collections have no specialist care, and the
posts lost. This baseline data may help to argue for the retention of posts at risk and the
reinstatement of deleted posts, although in a post–lockdown economy all bets are off.
Planned events have been postponed – repatriation workshop with Manchester Museum
and Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS), and the
Barkcloth Basics workshops - but we hope that these will be rescheduled as soon as it is
possible to do so, and hope that people will want to attend. The Events officer is planning

events for later in the year, and if this goes on for a year we will be looking at different ways
of keeping members networked and involved.

Take care
MEG Committee