Museums at the Crossroads: Local Knowledge, Global Encounters: Call for Applications

Call for Applications (Deadline Nov. 15)

Museums at the Crossroads: Local Knowledge, Global Encounters

A Summer Institute of the Mathers Museum of World Cultures and the School of Global and International Studies, Indiana University

Bloomington, Indiana, USA

May 14-21, 2015

The Indiana University Mathers Museum of World Cultures and School of Global and International Studies invite applications for up to eight Museum Partners who will take part in an innovative international workshop on the future of museums of culture and history.

Museums at the Crossroads, scheduled for May 14-21, 2015, in the beautiful college town of Bloomington, Indiana, combines keynote addresses, tours, charrettes, and social interactions. We seek applications from museum practitioners and theorists who wish to partner in conversation and creative practice with a group of invited keynote speakers and international museum fellows in a small, informal workshop setting.  Successful applicants will receive eight nights of on-campus lodging and per diem support of $45 for eight days.

About Museums at the Crossroads

Museums at the Crossroads connects theory and practice, bridging institutional, regional, and national museum contexts in order to advance the global conversation around museums and generate a range of practical outcomes for its participants.

Workshop participants will include:

·      4 international fellows from innovative museums around the globe

·      8 museum partners drawn from museums and other institutions in the United States and abroad

·      12 Indiana University faculty, staff, and graduate students

·      4 keynote speakers, each addressing a broader social and cultural theme that we wish to explore in depth in museum contexts.

     

     keynote speakers are:

·      Steven Lubar, Brown University (keynote on Today’s Museum:  Innovation, Change, and Challenge)

·      Michael Brown, School for Advanced Research (keynote on Cultural Crossroads:  World Cultures in Transition)

·      Stephan Fuchs, University of Virginia (keynote on Disciplinary Crossroads:  The Evolving Sociology of Knowledge)

·      Haidy Geismar, University College London (keynote on Artifactual Crossroads:  Real Meets Virtual)

 Museum Partners will be responsible for their own travel arrangements to and from Bloomington, Indiana, and are expected to participate actively in the full workshop and in associated follow-on activities. Prior to attending, each shall develop an institutional profile that includes an account of challenges your museum faces relative to the three “crossroads” (Cultural, Disciplinary, Artifactual) being explored in the workshop. Partners without a museum affiliation will be asked to prepare a comparable position paper on the themes.

How to Apply

To apply for a position as Museum Partner, please send a resume or curriculum vitae, as well as a cover letter expressing your interest, as a PDF email attachment to:

Sarah Hatcher, c/o mxrd@indiana.edu.

Review of applications will begin November 15, 2014, with applicants receiving notifications by December 15, 2014. 

Further Information

For additional detail on the scope and nature of Museums at the Crossroads, see the workshop précis, which is accessible online at: http://www.mathers.indiana.edu/crossroads.html.

Additional information about Indiana University Bloomington can be found at: http://iub.edu/.

Information on the Mathers Museum of World Cultures is available at: http://mathers.indiana.edu/.   

Questions about the workshop can be addressed to the organizers at: mxrd@indiana.edu.

On the beauty of perishability from a photo archivist

"The photographs of our past are like Mayflies*, through light they are created and by light they are extinguished. They appear as shadows and hastily they retreat to the realm of shadows."
Friedrich Georg Wieck, 1873

A shimmering veil of silver settles over the glass negative collection of Vanadis. The once neutral grey-coloured glass plates now have beautiful brown, amber-yellow and purple hues. Some negatives have been dropped and patched with tape, others have been converted to positives. Some have been masked with red paint prior to printing, many have been retouched with pencil. Fingerprints have become etched. Emulsion is flaking. Silver ions reacting to the oxygen in the air.

Unknown man. Photographed glass plate, 10x13cm

If you listen carefully you can hear the negatives tell fascinating stories of their circumnavigation of the globe in 1883-1885:

- The water was too warm when Oscar Ekholm was going to develop us in Calcutta!
- The grain in the developer did not dissolve, that is why my surface is covered in spots!
- The light shone through the gap in the cabin door when I loaded the cassette.
- Can you feel my uneven glass edges? Ekholm had to trim me, as I am of course made in inches and his camera requires centimetres!

In the past the collection has been stored in many places, perhaps in the attic of the Swedish Museum of Natural History, possibly in the basement of the old Museum of Ethnography. No one recalls for certain. It has been warm. It has been cold. The collection has survived damp summers and dry winters. Time has passed. The negatives have been kept in pergamyn envelopes, regular brown envelopes or just wrapped in newspaper. The printing ink leaving fragmentary words from long forgotten advertisements.

Taj Mahal, India 1885. Scanned glass plate, 18×24 cm.

Only in recent years have the plates been repackaged in acid free envelopes and kept in a climate controlled archive. And now, with the help of digital technology, we can retrieve images which are hardly visible to the naked eye. After 140 years the negatives reveal lost landscapes and faces of people past. Men, women and children who say:

- We were here that day when HMS Vanadis entered the harbour of Nuku Hiva.
- The picture maker pulled a black blanket over his head!
- We had to stand very still!
- I had to be naked.
- We lived and have much to tell...

Unknown men, according to the albumen print, photographed in Ancon, Peru, 1884. Scanned glass plate, 18x24 cm.    

Facts

The Vanadis expedition sailed around the world between December 1883 and May 1885. The swedish navy's steam frigate HMS Vanadis had a crew of 340 men. On board were also the founder of the Museum of Ethnography, Hjalmar Stolpe, and the photographer Oscar Ekholm.

The voyage resulted in over 6,000 collected items and 700 exposed glass plates (mainly 18x24cm, gelatin dry plate negatives). The total weight of the negatives is just over 180 kg.

Emulsion peeling off the glass. Building in Japan 1884. Photographed glass plate 18x24cm.

by Emma Arenhill 

Emma Arenhill works as a Photo Archivist at the Museum of Ethnography and specializes in older photographic techniques. Emma's background is in Human Ecology and Social Anthropology but she also has a degree in Photography. She has previously worked with the photographic collections at the Nordic Museum and National Library of Sweden in Stockholm.

* Mayflie: insects belonging to the order Ephemeroptera (from the Greek ephemeros), "short-lived" (literally "lasting a day").

(Nuku Hiva: French polynesia)